Trouble in Truffle Land
Can truffle gatherers in Périgord continue their traditional way of life?


Patrick Bruel Goes Retro...
A fun musical flashback to
the 1930s


A Dog's Life...
In a search for cleaner sidewalks an expat looks at pampered Parisian pooches


Disappearing Concierges...
Is the typical Parisian concierge becoming an endganered species?


Paris Street Music...
The sounds of the Paris street are the sounds of the world


France's Legion of Honor...
A
look at France's Legion of Honor from a personal perspective


In a Green Haze of Absinthe
Absinthe inspired a generation of artists before it was banned in 1915. Will it make a comeback?


A Search for the Ideal Cafe
A ramble through Paris via the corner cafes


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News: On the streets defending retirement... Getting tough on terrorists... and tough on traffic... McDonald's new PR twist... Political asylum policy reform... Keeping kids in school... Smoking in high-school...

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Advertising: A French Difference

by News From France

First time visitors to France are often flustered by the seemingly wanton display of nudity (primarily female) in French advertising. Even yogurt brands call upon naked seductresses to sell their wares. By contrast, French visitors to the U.S. are surprised by the fact that American women are often portrayed in televised ads as housewives, principally preoccupied with the cleanliness of their kitchens (in France, advertisers, under pressure from consumers, are striving to depict men and women as equals).

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Mostly, though, the French are invariably astonished by the much greater frequency of commercials on American television. In France, movies and TV series are often interrupted by a single commercial break, or even not at all. Some differences are more subtle. Americans tend to priorities value, and will usually opt for products with the best quality/price ratio. This translates into a majority of direct and pragmatic ads, that emphasize practical qualities. The French appear to be more swayed by a product’s image, its symbolism, its je-ne-sais-quoi. But the people of both nations do share one point in common: they all wish they had more money to spend!

SPENDING ON ADS

The advertising industry brings in considerable amounts of money and is a dynamic force within the communications field. On the global scale, current leaders are the American firms. Interpublic and Omnicom, which are part of a group known as the "big four." The French advertising agency Publicis is now a part of that group, after its acquisition on March 7, 2002, by the American advertiser Bcom3. In 2001, the slowdown of the economy led companies to cut their communication budgets. In the U.S., advertising spending decreased by 4.1 percent to $233.7 billion. French advertisers did not avoid the trend but, this year, business has once again picked up.

Companies have steadily increased their budget for improving their images and boosting sales. Since 1992, their spending has risen a total of 7.7 percent, reaching 30 billion euros in 2001. The retail sector is the most important, representing 11.1 percent of advertising investments in 2001, followed by food and transportation, which make up 10.5 percent and 10.1 percent of investments, respectively.

Since companies are demanding more and more advertising space, the French and American media have also increased their efforts to sell more innovative space. New formats for advertising are constantly being developed, and the last several years have seen a marked increase in cell phone advertising, with text messaging and Internet access offering added possibilities. French media made a combined $9.620 billion in 2001.

In the U.S., outdoor advertising is given preference, allowing the 125 million Americans who drive to work to see the ads. The big business of T.V. advertising, however, remains a dominating force, with $50 billion spent in 2001. This has even led to the questioning of the independence of T.V. networks since they are financed entirely by commercials. True to its creative image, advertising has demonstrated its adaptability to a changing public and its resilient versatility.


CONSUMER PROTECTION IN FRENCH ADVERTISING

Advertising has become so critical in today’s consumer-oriented economies that advertisers are sometimes tempted to embellish the truth. To prevent this, France has set up a strong legal framework that still allows for effective commercials. Naturally, false advertising, religious or political propaganda, and commercials that play on children’s gullibility are prohibited. More surprisingly, in a country famed for its wine-drinking and cigarette-smoking, ads promoting tobacco and alcohol are banned from the airwaves.

Unlike the U.S., France also sets strict conditions on comparative advertising, which must be based on objective criteria. Undisclosed product placement is a big no-no as well, whereas it is fast becoming a favorite of American advertisers. Finally, T.V. shows in France cannot be interrupted by a commercial break unless they are more than 90mn long, and then only once. Two bodies make sure advertisers abide by these rules. First, the Bureau de la Vérification de la Publicité (The Publicity Verification Bureau), a self-regulating trade association, gives proposed ads a green light. Once an ad has aired, The Conseil Supérieur de l’Audiovisuel (High Council on TV and Radio) spots and punishes violations. Consumer groups are playing an increasingly important role. The Institut National de la Consommation (National Institute of Consumers) which looks after the rights of consumers, has become the biggest lobbying group in France. Meanwhile, the Chiennes de Garde (Watchdogs) have earned quite a reputation by denouncing ads that reduce women to stereotypical roles.

   
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