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Patrick Bruel Goes Retro...
A fun musical flashback to
the 1930s


A Dog's Life...
In a search for cleaner sidewalks an expat looks at pampered Parisian pooches


Disappearing Concierges...
Is the typical Parisian concierge becoming an endganered species?


Paris Street Music...
The sounds of the Paris street are the sounds of the world


France's Legion of Honor...
A
look at France's Legion of Honor from a personal perspective


In a Green Haze of Absinthe
Absinthe inspired a generation of artists before it was banned in 1915. Will it make a comeback?


A Search for the Ideal Cafe
A ramble through Paris via the corner cafes


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Special Features: A day trip to Monet's garden... How the cafe defined itself in Parisian popular culture... A new selection of cool cafés for a warm afternoon... Do something slightly different around Oberkampf... The daily grind of the metro... Transcending the tired face of poverty on the metro... .

Music: Finding a place to hear good music... Suggestions for just hanging out... Radio stations that supply those perfect Parisian soundtracks...

Paris Perdu: Whatever happened to Hemingway's city...



The Cafe and Parisian Popular Culture

The bustling scene around Oberkampf is just the latest manifestation of the café's pivotal role in Parisian popular culture over the years.

The café-bistros that used to populate every corner are the soul of Paris, reflecting the vagaries of neighborhood life in all its sordid splendour. Whether as meeting places for intellectuals or as "dining halls" for workers, cafés have always been important in the public life of the city. Large or small, cheap or expensive, they have always been the place to go to read, to write, to plot, to dream, even to fall in love.

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And the small bistro-bar remains integral to the visitor's notion of "Paris."

The Parisian café may be an 19th century innovation, but most everyone agrees it's one worth fighting to preserve, despite economic pressures which would replace these neighborhood anchors with more "efficient" and "profitable" chain restaurants.

The Café Defines Itself

Neighborhood cafes first appeared en masse toward the end of the 19th century, carving out their place in the daily life of the city. Over the years, they have remained quite faithful to their original look and spirit.

Originally they were simply places where city dwellers could come for good food and wine from the French countryside at reasonable prices. The décor of these older inns -- high ceilings, with sculptured moldings, large mirrors, mosaic tiled floors, and walls decorated with posters, photos or even paintings -- has become the trade mark of many Parisian bistros.

Behind the common façade, which makes any café seem familiar and comfortable, every café-bistro had its own style and clientele. Workers tended to go to one café, while management might go to another. One was popular among foreigners, while another was "French French." Younger people preferred one, while the older folk chose a third.

In time, certain cafes became noted for the creative clientele they attracted. The artists played an important role in the making and unmaking of a café's reputations.

Home for the Artists

The café found itself at the center of the principle artistic and intellectual movements of the 20th century.

The association of artists with specific cafes really began when the Fauvists and Cubists left the chaos of Montmartre, choosing a quiet Montparnasse café -- la Closerie des Lilas -- as their meeting place.

Parisians began pushing to get into cafes to hang out with Picasso, Braque, Derain or Modigliani. The "Montparnasse trend" was created as La Rotonde, Le Dôme, La Coupole, and Le Sélect became meeting places for the most innovative artists and writers of the period.

Soon the glamour of the cinema attracted trendy Parisians toward the Champs-Elysées where Le Fouquet's became THE place for those in world of cinema.

While the Nazi Occupation put a damper on cutting edge creativity (not to mention the nightlife), cafes remained quiet refuges for Parisians - resistors quietly plotted actions around café tables, and in the midst of the Occupation, Jean-Paul Sartre and Simone de Beauvoir were busy writing at Le Café de Flore. The owner was kind to his "clients" though they often bought only one small café each day. The basis of "existentialism" was developed there and this café achieved a mythical status with the Liberation. All Paris was pushing to get in! Only the neighboring café, Deux-Magots, was as popular.

These two cafes became the anchors of the neighborhood at the apex of Parisian cultural life.

In Danger of Disappearing?

But Saint-Germain-des-Prés would be the last neighborhood to become fashionable le because of its cafes until the 1990s. The youth culture of American pinball machines and jukeboxes made neighborhood café-bistros unfashionable beginning in the 1960s.

Unable and unwilling to emulate the American-inspired hangouts for the younger generation, the traditional café-bistros stopped multiplying. And as French habits changed, while the neighborhood structure of Paris was transformed, small neighborhood cafes began closing at an alarming rate.

Luckily, over the past decade the café-bistros have begun to make a comeback thanks to places like Le Café de l'Industrie at Bastille or le Café Charbon, rue Oberkampf, which have renovated, in different ways, the original spirit and ambience of the café-bistro.

Here the clientele still varies by time of day. In the morning local workers mix with neighborhood residents, all stopping in for a quick coffee before starting the day. Those who don't have to rush off to work, take the time to leisurely read the paper. Lunchtime bustles with activity, as the day's business is animatedly discussed over a shared meal. Meanwhile the regulars start appearing -- each drinking their usual drink at their favorite spot along the "comptoir." With the end of the workday, a constant stream of local workers and neighborhood residents stop in for a drink or to meet friends, while the regulars continue to trade rounds among themselves. And then, as the evening wears on the night crowd begins wandering in...

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